Hi! I´m Tommy,
born and bred in the East End of Glasgow.
It´s a monumental struggle to become an experienced musician in the kind
of environment which writer Piri Thomas, called “mean streets.” He was writing
about conditions in Spanish Harlem but my trajectory here in these mean streets
of Parkhead, Tollcross and Shettleston has been just as tough.
I was a late
starter in music. At 17 in ´78 and in the wake of Destroyer and Alive by
American rock showmen, Kiss, I took a shine to the guitar. I was lucky. My sister, at her Catholic
girls´ school, had shown no talent and even less enthusiasm for the acoustic
guitar and passed her cheap guitar on to me -
when she saw that I couldn't put it down.
That guitar was
the best gift I ever got. I stopped hanging around causing trouble with my pals
and locked myself away with it.
For a year.
When I emerged
from this monastic seclusion, I started looking around for other musicians to
form a band, but in 1980 I couldn´t find anyone who shared my musical tastes or
ideas. Every musician I met hated the kind of music that I loved, even
ridiculing a band such as Queen. In Britain, music at that time was so
pigeon-holed it was impossible to listen to good American music, unless you
bought expensive import albums. Punk was all the rage and there I was, trying
to form a hard rock band. Had I been living in Los Angeles, the world might
have been my oyster. Hard rock was thriving there, and all over the USA. Kiss,
Journey, Utopia – I loved them.
So by the early
eighties, when everybody was crazy about Boy George, Duran Duran and Adam Ant,
America was basking in Journey, Styx, Boston, Cheap Trick, Kiss, Angel, Utopia,
Ted Nugant and Van Halen.
What was I
supposed to do?
Since I couldn't
stand not being a musician, by 1983 I was gigging around Scotland, playing
covers of hits around pubs, clubs, and weddings. It was great
experience, and some bands were very good, but most of the musicians regarded
playing as a part-time thing after their jobs and weren´t as serious– or as
desperate – as I was.
I'm a musician, I
thought.
So, despite
struggling with the legal tender, I chose a life of music.
Later, I played in
a few original bands that were on the verge of a record deal but it never
happened. One band released a single in the eighties that got air play, but it
never became a hit.
But I plugged on.
I taught myself to read music and studied music theory so I could understand
harmony (something we should all learn, perhaps, since if we all vibrated at the proper frequency we might have world
peace!). I went on to teach a few
friends to play the guitar, becoming a mentor to some.
So by the mid 90s it was pretty clear that I should pass on my skills for a living. This is where you come in – if you want to play guitar, call me. I´m an RGT (Registry of Guitar Tutors) tutor and teach the RGT/London College of Music Grades, as well as assisting pupils with their GCSE Music studies.
I teach all styles to Advanced Level but I specialize in Rock Guitar.
So by the mid 90s it was pretty clear that I should pass on my skills for a living. This is where you come in – if you want to play guitar, call me. I´m an RGT (Registry of Guitar Tutors) tutor and teach the RGT/London College of Music Grades, as well as assisting pupils with their GCSE Music studies.
I teach all styles to Advanced Level but I specialize in Rock Guitar.
The next logical
step in any musician´s life is, of course, composition. I had always written music but in 2005 I began
to contribute to a New York music library, called Kingsize. Now I´m writing pop,
rock, metal, country, blues and many other styles for the wonderful Peter
Primamore – check him out here.
It´s been a long
slog, and I´ve a way to go yet, but I just could not be anything but a
guitarist.
As Todd Rundgren has said, the whole universe is one giant guitar.
As Todd Rundgren has said, the whole universe is one giant guitar.
So call me and
we´ll play it!